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Diffstat (limited to 'audio/eawpats/pkg-descr')
-rw-r--r-- | audio/eawpats/pkg-descr | 27 |
1 files changed, 27 insertions, 0 deletions
diff --git a/audio/eawpats/pkg-descr b/audio/eawpats/pkg-descr new file mode 100644 index 000000000000..25034da08c28 --- /dev/null +++ b/audio/eawpats/pkg-descr @@ -0,0 +1,27 @@ +This is Eric A. Welsh's collection of Gravis UltraSound MIDI patches, +configured for use with the TiMidity++ MIDI player. A configuration file +for TiMidity++ to use these patches is also included. + +Eric A. Welsh writes: + +I hope that all of these patches are the best ones you've ever heard. I've +worked really hard to try to ensure this. I collected patches from the +Ultrasound mirrors, Midia, Kurzweil archives, Roland archives, Yamaha +archives, Maui, maybe a few from MAZ, and just about every known source of +patches on the net. I have tried to leave no stone unturned. + +I have removed clicks, changed volumes of samples within multipart patches +so that they are the same relative to each other, relooped samples, created +new instruments by combining others, edited out bad samples, remapped the +note mappings to samples, rekeyed samples, retuned samples, changed +envelopes, hand edited some to remove oversampling, and just about any other +kind of manipulation you can think of. + +I think by now I have listened to every patch while being played in a midi +file, so I've heard them over all sorts of ranges not intended for the +instruments, in combination with instruments that might be slightly out of +tune with the one in question, and heard most if not all the waveforms in +multipatch instruments. Hopefully all the patches now in the collection +will sound good in every midi file they are used in. + +WWW: http://www.stardate.bc.ca/eawpatches/html/default.htm |